This article delves into the Quinta do Mocho community in Lisbon, originally a slum area that became a social neighbourhood inhabited by predominantly African migrant families. The residents, facing deteriorating living conditions, found solace and expression through art, particularly in the form of murals that depicted their dreams, music, cultural diversity, and social critique. These murals served as a means of reclaiming their space and challenging societal discrimination.
The document explores the intersection of art, sociomuseology, and educational principles inspired by Paulo Freire. It emphasises the transformative power of art in reshaping environments and fostering meaningful interactions within communities. The narrative underscores the importance of understanding and valuing cultural differences as a means of constructing a more inclusive and diverse world.
Through the lens of the Museology of Liberation, the article advocates for the preservation of community memory as a form of resistance against oppressive forces. It highlights the role of artists in reimagining spaces and narratives, ultimately contributing to the collective identity and empowerment of marginalised communities.
Overall, the article showcases the Quinta do Mocho community’s resilience and creativity in using art as a tool for social change and self-expression. It underscores the significance of art in challenging power structures, promoting cultural appreciation, and fostering a sense of belonging and agency among individuals facing social and economic marginalisation.
