This dissertation delves into the historical progression of cultural policies in Portugal, with a specific focus on the periods of the First Republic and the Estado Novo. It also underscores the significance of conserving historical urban areas and elucidates the intricate interplay between cultural heritage and contemporary societal dynamics. Furthermore, it sheds light on the UNESCO Convention of 1989, emphasising the imperative nature of safeguarding intangible cultural heritage.
The work also focuses on the reorganisation and centralisation of heritage management under the Directorate-General for Cultural Heritage (DGPC), with the overarching goal of fostering a more cohesive and integrated approach. In addition, it addresses the modernisation of information infrastructure and the delineation of the cultural sector into distinct areas of responsibility.
In particular, the fifth chapter is dedicated to the core focus of the dissertation, namely the administration of cultural heritage promoted by various Constitutional Governments and the respective administrative bodies. This approach involves the creation of an organisational framework comprising subchapters that delve into each administrative entity, encompassing its establishment, legal framework, and, more importantly, the activities undertaken during its operational tenure. The research presents a notable challenge at this juncture, particularly in navigating the extensive historical and administrative intricacies.
