This paper explores the dynamic relationship between architecture and theaters during the period of ‘Johannine effervescence’ in Portugal (1719-1725). It focuses on the significant role played by Queen Maria Ana of Austria in promoting Italian theater and opera, where architecture and music intersect to theatralise space. The text highlights the architectural projects initiated between Mateus and Porto, reevaluating them in the context of the evolving arts and construction techniques of the early 18th century.
Furthermore, the article emphasises the connection between the Church of São Pedro dos Clérigos and the royal basilica of Mafra, showcasing how these architectural endeavors were influenced by the cultural and artistic initiatives of the monarchs and the Portuguese court. It underscores the importance of understanding the interplay between architecture, quadrature, scenography, and music during this vibrant period of artistic innovation.
The research presented by Giuseppina Raggi from the Centro de Estudos Sociais da Universidade de Coimbra delves into the complexities of the artistic processes involved in the architectural projects promoted by Nasoni and Queen Maria Ana. By exploring the cultural exchanges and influences between different artistic centers, such as Viena and Bologna, the article provides insights into the broader socio-cultural context that shaped Nasoni’s architectural vision and the theatrical landscape of the time.
