This paper delves deeply into the intricate relationship between music and architecture during the era of Nicolau Nasoni. It explores how Baroque architecture, particularly in religious contexts, was intertwined with musical practices, sound production, and scenographic elements. The text sheds light on recent advancements in the study of building acoustics, revealing how the acoustic properties of structures from that period influenced and shaped musical performances and compositions.
A significant focus is placed on the architectural contributions of Nicolau Nasoni, with a particular emphasis on the Church and Tower of the Clerics in Porto, showcasing how his designs not only served functional purposes but also created unique acoustic environments that impacted musical experiences. The seminar “Nasoni, Mateus e a Música de seu Tempo” is highlighted as a pivotal event that provided a platform for in-depth discussions on the intricate connections between music and architecture, underscoring the cultural significance and mission of the Casa de Mateus Foundation.
The seminar aimed to foster interdisciplinary dialogues and collaborations, with themes such as the Italian Influence Model and Iberian Filters serving as focal points for scholarly exchanges among participants and research entities. By intertwining historical architectural insights with musical practices, the article underscores the rich tapestry of cultural heritage and artistic expression that characterised the Baroque era, offering a comprehensive exploration of the symbiotic relationship between music and architecture during Nasoni’s time.
