This article delves into the analysis of the film “Terra (In)Submissa,” which explores the concept of vanishing freedom through the lens of the Portuguese language. It examines the use of mugshots and archival materials to portray resistance against dictatorship and underscores the significance of symbolic justice in addressing human rights violations.
Moving on to sociomuseology and art galleries, the text scrutinises the relationship between African and Portuguese art in museums, criticising galleries for shaping the art market and museum narratives. It stresses the importance of comprehending local contexts in museum studies to grasp the complexities of cultural representation.
Furthermore, the article delves into cultural tensions and art, discussing the conflicting roles of state and corporate art usage. It analyses how mass culture contributes to social segregation and contrasts the politically reflective nature of art with the commercial motives of corporations. The narrative highlights the vital role of art in promoting social inclusion and addressing societal issues.
Overall, the article provides a comprehensive exploration of the intersections between art, culture, and societal dynamics, shedding light on the complexities of representation, power dynamics, and the evolving landscape of cultural institutions in contemporary society.
