The article delves into a detailed analysis of incunabula illuminations, focusing on the use of computational methods and spectroscopic characterization to study two illustrations from a mid-16th-century Parisian incunabulum. By comparing original engravings with final illuminations, the study aims to uncover iconographical changes and shed light on the artistic and historical significance of these alterations.
Through a multi-analytical approach, the researchers utilised image processing software to extract detailed information from diagnostic images, such as Vis-NIR photographs, to evaluate the artist’s palette and technique. The study also explored the application of high-quality artistic materials, including luxury pigments like vermilion, malachite, and lead white, in creating the illuminations.
The findings suggest a deliberate use of materials and artistic strategies to convey religious and artistic identities, with a focus on Saint Anthony’s illumination and the Trinity representation. The removal of certain elements in the illustrations was interpreted as a reflection of historical contexts and artistic preferences, highlighting the complexity of incunabula production and the interplay between commercial interests and artistic expression.
Overall, the study underscores the importance of interdisciplinary approaches in art historical research, combining technical examination, social sciences, and computational methods to unravel the intricate details and historical significance of illuminated manuscripts from the early printing era.
