This article analyses the transformation of Wrocław’s ‘District of Mutual Respect’ from a neglected area into a symbol of the city’s new identity. Situated in the context of forced migrations post-World War II, the District represents a departure from nationalist narratives towards embracing intercultural dialogue and multiculturalism. Using the concept of ‘emplacement’, the study examines how this district has been revitalised and imbued with new meanings.
Initially a grassroots educational initiative, the District evolved into a comprehensive revitalisation project supported by local authorities. It has transformed from a state of decline into a vibrant community hub, fostering learning, religious practices, and cultural exchanges that symbolise Wrocław’s commitment to openness and tolerance.
The heritage practices employed in the District have effectively integrated elements of suppressed German heritage through processes of reframing and re-emergence. This approach acknowledges historical complexities and promotes collective actions towards inclusive identities and a democratic future. The District thus serves as a successful example of heritage creation envisioning a cosmopolitan trajectory, challenging nationalist narratives with a narrative of multicultural continuity.
The article underscores the role of political will and shared cultural visions among Wrocław’s liberal elites in driving this transformation. By promoting a new myth of Wrocław as inherently multicultural and cosmopolitan, the project contributes not only to the city’s rebranding but also to the formation of inclusive urban identities. While cautioning against generalisations, the study suggests that such progressive heritage initiatives hold potential for inspiring similar projects elsewhere, contingent upon specific socio-political contexts.
In summary, the ‘District of Mutual Respect’ exemplifies how heritage can reshape urban identities towards inclusivity, advocating for further exploration of progressive heritage-making practices globally.
