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  • Exploratory Analytical Study of a 20th century Portuguese Mural Painting by Júlio Resende (1917-2011)

    The article presents an exploratory analytical study of a 20th-century Portuguese mural painting by Júlio Resende. The research utilised various techniques such as optical microscopy, visible spectrophotometry, handheld X-ray fluorescence spectroscopy (hXRF), dark field OM, SEM-EDS, and µ-FTIR to analyse the painting’s materials and techniques. The study revealed that the mural was executed in a lime fresco technique, with the use of cobalt blue, ochres, chromium green, green earth, and barium white pigments. Additionally, the presence of chrome orange and cadmium-based pigments was hypothesised. Detailed analysis of the plaster layering

    HOMEE – Charter For Mega-Events in Heritage-Rich Cities

    The Charter for Mega-Events in Heritage-Rich Cities provides principles and recommendations that can help cities take advantage of the opportunities offered by mega-events and mitigate their risks. The Charter explores issues ranging from the new uses and physical stresses that mega-events can introduce in historic areas to changes in the understanding of heritage spaces. It explores the challenges for the local governance of mega-events. Local policymakers can refer to the Charter’s recommendations from the initial bidding stages for cultural mega-events like Capital/City of Culture programmes and throughout the planning of

    Mega-Events and Heritage: The Experience of Five European Cities

    In the past, many cities used mega-events as a strategy to boost development. The creation of new facilities and infrastructures for mega-events typically targeted areas of expansion outside of historic city fabric. Today, on the contrary, mega-event organizers are increasingly opting more for the re-use of existing facilities and areas. This paradigm shift represents both a potential opportunity and threat for heritage-rich cities in Europe. This book explores the relationships between the planning and implementation of mega-events and cultural heritage through the in-depth study of five cases: Genoa 2004 European

    Arte e Esperança Percursos da Iniciativa PARTIS

    PARTIS – Artistic Practices for Social Inclusion – is an initiative of the Calouste Gulbenkian Foundation to support projects that aim to push the boundaries and showcase the role of art in integrating vulnerable communities. These projects create spaces for freedom and continuing learning, where prejudices can be overcome, and understanding and mutual respect can be nurtured. The two first PARTIS editions covered 33 projects from different regions of Portugal, and included cultural activities such as music, visual arts, theatre and dance. The participants included refugee communities, prisoners, disabled people

    Art and Hope. PARTIS Initiative Trajectories

    PARTIS – Artistic Practices for Social Inclusion – is an initiative of the Calouste Gulbenkian Foundation to support projects that aim to push the boundaries and showcase the role of art in integrating vulnerable communities. These projects create spaces for freedom and continuing learning, where prejudices can be overcome, and understanding and mutual respect can be nurtured. The two first PARTIS editions covered 33 projects from different regions of Portugal, and included cultural activities such as music, visual arts, theatre and dance. The participants included refugee communities, prisoners, disabled people

    HOMEE – Karta megaeventów w miastach dziedzictwa (HOMEE – Charter for mega-events in heritage towns)

    The Charter for Mega-Events in Heritage-Rich Cities provides principles and recommendations that can help cities take advantage of the opportunities offered by mega-events and mitigate their risks. The Charter explores issues ranging from the new uses and physical stresses that mega-events can introduce in historic areas to changes in the understanding of heritage spaces. It explores the challenges for the local governance of mega-events. Local policymakers can refer to the Charter’s recommendations from the initial bidding stages for cultural mega-events like Capital/City of Culture programmes and throughout the planning of

    Cultural Heritage Adaptive Reuse: learning from success and failure stories in the city of Salerno, Italy

    Delve into a comprehensive analysis of success and failure stories in cultural heritage adaptive reuse, focusing on decision-making criteria for public owners of heritage assets in Salerno, Italy. The article explores the methodology used to select heritage assets for analysis, including a detailed examination of a “failure case” involving the adaptive reuse of four heritage buildings in the historic city centre. It discusses financing and management options for public owners, highlighting a set of practical decision-making criteria that influence choices at the municipal level. The study identifies key factors such

    Implementing The Circular Economy

    This document delves into the concept of circular economy as a tool for revitalising cultural heritage, emphasising the need for ecological considerations in heritage preservation. It highlights the role of heritage assets in shaping urban development and maintaining social stability over time. Through a human-centred approach, the document underscores the importance of community involvement in heritage conservation and adaptive reuse projects. It discusses the significance of emotional connections to heritage sites and the creation of meaningful relationships within communities. The evaluation of heritage assets based on intrinsic value promotes a

    The Image of Soares dos Reis’ Sculpture in Art History, Art Criticism and Literature: Epochs, Models and Representations

    The article delves into the analysis and reception of António Soares dos Reis’s artistic work, focusing on various perspectives and critiques. It discusses the compilation of ASR’s work by Canon Alves Mendes and Manoel Maria Rodrigues, portraying ASR as a tragic figure with a deep sense of pain and despair reflected in his art. Laranjeira’s viewpoint offers a distant acknowledgment of ASR’s work, placing more emphasis on ASR’s pupil Augusto Santo. ASR’s Autobiography provides insights into his artistic learning and methodology, shedding light on his creative process. Arroyo’s analysis challenges

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