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  • Las construcciones rurales en piedra seca como paradigma de sostenibilidad : aportaciones didácticas y geográficas a partir de su declaración como Patrimonio Cultural Inmaterial de la Humanidad

    In 2018, the intricate knowledge and techniques behind the construction of dry stone walls achieved a significant milestone with their inscription on the Representative List of the Intangible Cultural Heritage of Humanity. This esteemed recognition highlights the profound significance of one of the most fundamental building methodologies prevalent in traditional rural architecture across the Mediterranean region, notably in Spain. This paper meticulously examines the latest academic and bibliographical contributions pertaining to this venerable craft, shedding light on its historical evolution, cultural significance, and contemporary relevance. Through rigorous analysis, it seeks

    Art and Hope. PARTIS Initiative Trajectories

    PARTIS – Artistic Practices for Social Inclusion – is an initiative of the Calouste Gulbenkian Foundation to support projects that aim to push the boundaries and showcase the role of art in integrating vulnerable communities. These projects create spaces for freedom and continuing learning, where prejudices can be overcome, and understanding and mutual respect can be nurtured. The two first PARTIS editions covered 33 projects from different regions of Portugal, and included cultural activities such as music, visual arts, theatre and dance. The participants included refugee communities, prisoners, disabled people

    HOMEE – Karta megaeventów w miastach dziedzictwa

    The Charter for Mega-Events in Heritage-Rich Cities provides principles and recommendations that can help cities take advantage of the opportunities offered by mega-events and mitigate their risks. The Charter explores issues ranging from the new uses and physical stresses that mega-events can introduce in historic areas to changes in the understanding of heritage spaces. It explores the challenges for the local governance of mega-events. Local policymakers can refer to the Charter’s recommendations from the initial bidding stages for cultural mega-events like Capital/City of Culture programmes and throughout the planning of

    Mega-Events and Heritage: The Experience of Five European Cities

    In the past, many cities used mega-events as a strategy to boost development. The creation of new facilities and infrastructures for mega-events typically targeted areas of expansion outside of historic city fabric. Today, on the contrary, mega-event organizers are increasingly opting more for the re-use of existing facilities and areas. This paradigm shift represents both a potential opportunity and threat for heritage-rich cities in Europe. This book explores the relationships between the planning and implementation of mega-events and cultural heritage through the in-depth study of five cases: Genoa 2004 European

    Arte e Esperança Percursos da Iniciativa PARTIS

    PARTIS – Artistic Practices for Social Inclusion – is an initiative of the Calouste Gulbenkian Foundation to support projects that aim to push the boundaries and showcase the role of art in integrating vulnerable communities. These projects create spaces for freedom and continuing learning, where prejudices can be overcome, and understanding and mutual respect can be nurtured. The two first PARTIS editions covered 33 projects from different regions of Portugal, and included cultural activities such as music, visual arts, theatre and dance. The participants included refugee communities, prisoners, disabled people

    Exploratory Analytical Study of a 20th century Portuguese Mural Painting by Júlio Resende (1917-2011)

    The article presents an exploratory analytical study of a 20th-century Portuguese mural painting by Júlio Resende. The research utilised various techniques such as optical microscopy, visible spectrophotometry, handheld X-ray fluorescence spectroscopy (hXRF), dark field OM, SEM-EDS, and µ-FTIR to analyse the painting’s materials and techniques. The study revealed that the mural was executed in a lime fresco technique, with the use of cobalt blue, ochres, chromium green, green earth, and barium white pigments. Additionally, the presence of chrome orange and cadmium-based pigments was hypothesised. Detailed analysis of the plaster layering

    Conservation of contemporary medals: Packaging solutions

    The article focuses on the conservation and packaging solutions for contemporary medals from the extinct Volte Face – Contemporary Medal Research Section at the University of Lisbon. It emphasises the importance of understanding the diverse materials used in creating these medals, including organic, inorganic, and synthetic materials, as they influence degradation and preservation methods. The research aims to present proposals for packaging the medals using 3D modelling, vector drawing, and 3D printing techniques. In the first part of the study, an inventory of the objects is presented, documenting their constituent

    Image processing methods integrated to imaging and material characterisation for the study of incunabula illustrations: an innovative multi-analytical approach on a case-study

    The article delves into a detailed analysis of incunabula illuminations, focusing on the use of computational methods and spectroscopic characterization to study two illustrations from a mid-16th-century Parisian incunabulum. By comparing original engravings with final illuminations, the study aims to uncover iconographical changes and shed light on the artistic and historical significance of these alterations. Through a multi-analytical approach, the researchers utilised image processing software to extract detailed information from diagnostic images, such as Vis-NIR photographs, to evaluate the artist’s palette and technique. The study also explored the application of

    A ocupação Pré‑histórica do Cabeço de Caria Talaia (Sabugal, Portugal)

    The article delves into the prehistoric occupation of Cabeço de Caria Talaia in Sabugal, Portugal, focusing on archaeological findings from 2008 and 2009. These excavations shed light on the nature and chronology of the site’s occupation, pinpointing a phase between the Middle Bronze Age and the early Late Bronze Age. Despite challenges like poor preservation, the discoveries were significant. The ceramics unearthed played a crucial role in understanding the site’s cultural context and chronological placement. Noteworthy is the presence of ceramics with incised decorations and white paste residues, hinting at

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