Mute: controvérsias entre música e silenciamentos, recursos para abertura de diálogo no processo expositivo do Musée du Quai Branly
This article delves into the impact of colonial attitudes on musicology and museology, highlighting the marginalisation of non-Western musical practices and indigenous knowledge. It discusses how the colonial legacy perpetuated inequalities, silencing diverse voices and deeming certain forms of knowledge as inferior. The text emphasises the need to challenge these lingering colonial attitudes and embrace a more inclusive approach in the fields of musicology and museology. Furthermore, it explores the work of John Cage, particularly his use of silence as a provocative element in music, shedding light on the significance