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  • Mining the Museum: o Museu como Palheta

    Fred Wilson’s project “Mining the Museum” in 1992 at the Maryland Historical Society aimed to challenge traditional historical narratives by bringing marginalised voices to the forefront. The exhibition shed light on the historical complicity of Maryland citizens in perpetuating racism against Black and Indigenous communities. Wilson’s work served as a critique of museums as institutions that often exclude or misrepresent marginalised groups, emphasising the importance of incorporating diverse perspectives within museum spaces. In the context of decolonial museology, the article discusses the impact of colonisation on Latin American societies, highlighting

    Cinemuseological imagination: a participatory film format

    The article discusses the role of participation at the Historical Museum Frankfurt (HMF) and its impact on diverse contributors, emphasising the museum’s approach to activism through curated participation. The Stadtlabor Film Project is highlighted as a collaborative initiative where participants engage in creative roles supported by the museum, focusing on themes such as society, economy, and ecology. The project aims to integrate these films into the museum’s permanent exhibition, showcasing contemporary topics and fostering dialogue. The article underscores the importance of museums as platforms for advocacy and empowerment, amplifying diverse

    Beyond Words: Labels and the Power of Shaping of Narratives

    The article delves into the transformative role of labels in art exhibitions, highlighting their evolution from simple classification tools to integral components of artworks. Fred Wilson’s groundbreaking interventions challenged conventional museum practices by emphasising diverse narratives and the importance of transparency in storytelling. The Dresden State Art Collections’ initiative to modify titles to address content issues reflects a commitment to accuracy and cultural sensitivity in the presentation of art. By exploring the power of labels to shape narratives, promote inclusivity, and deepen understanding of cultural artefacts within institutional contexts, the

    Um olhar Sociomuseológico sobre a Dança Contemporânea e a Performance em museus e suas potencialidades na transformação social e institucional

    The article delves into the integration of Contemporary Dance and Performance within Western museum settings. It explores the complexities and challenges associated with curating dance pieces in museums, emphasising the collaborative nature of their production and technical requirements. Artists like Amanda Piña are highlighted for their awareness of the decolonial trend in art museums, while also cautioning against the potential appropriation of this concept by institutions. The importance of adopting a sociomuseological approach is underscored to prevent the perpetuation of colonial power dynamics within museum spaces. Furthermore, the article discusses

    Museus Regionais e a Nova Museologia: a Campanha Nacional de Museus Regionais no Nordeste Brasileiro entre a Arte Moderna e a Arte Contemporânea

    The article discusses the influence of the New School Movement on educational practices, particularly in the context of the creation of regional museums in Brazil. It highlights the efforts to align education with societal needs and promote intellectual growth through the establishment of the National Council of Regional Museums (CNMR). The CNMR aimed to develop a network of regional museums that would serve as educational hubs, fostering a deeper understanding of Brazilian culture and history. One of the key examples mentioned is the Museum of Modern Art in São Paulo

    Holistic Heritage Podcasts: Harnessing the Power of Ukrainian Heritage

    ‘Holistic Heritage’ brings conversations, opinions, and insights on heritage from Central and Eastern Europe. Join Dr Katarzyna Jagodzińska, Head of the Europa Nostra Heritage Hub in Krakow, and John Beauchamp from Free Range Productions as they interview heritage leaders and explore inspiring projects from the region. The physical impact on Ukraine’s cultural heritage is considerable. As of 10 April 2024, UNESCO reports verified damage to 351 sites since 24 February 2022, including religious sites, museums, monuments, and other heritage locations. In this episode, recorded in Lviv, Ukraine’s western gateway, the

    Fair Pay in the Arts: The talk of the town or the elephant in the room?

    The report delves into the importance of fair pay practices in the arts sector, emphasizing the need for reporting processes that benefit both funders and applicants while being justifiable to the public. It suggests a shift towards more partner-like engagement between funders and beneficiaries, advocating for authentic methods like site visits and interviews to understand and support beneficiaries better. Simplifying reporting and application procedures to align with organizational needs and objectives is highlighted as a way to prevent overstretch of resources within limited remuneration frameworks. Furthermore, the report explores successful

    O Centro de Documentação e Arquivo da Reforma Agrária. Um precioso património documental a preservar e divulgar

    The article discusses the significance of the Documentation Centre and Agrarian Reform Archive (CDARA), established in the 1990s in Portugal to preserve the documentary heritage related to the Agrarian Reform that followed the Revolution of April 25, 1974. This reform was a pivotal socio-economic, political, and cultural event, albeit short-lived, that aimed to redistribute land and promote collective agricultural practices. As the Collective Production Units (UCPs) and Agricultural Cooperatives faced extinction due to economic challenges and labor shortages, many valuable archives were at risk of destruction. CDARA was created to

    3D Digitisation Guidelines: Steps to Success

    This guide is designed to help anyone on their 3D digitisation journey. It is specifically aimed at cultural heritage professionals who are considering, or in the middle of, digitising their cultural heritage collections using three dimensional models. It outlines and simplifies the recommended standards highlighted in the EU VIGIE Study 2020/654 (Study on quality in 3D digitisation of tangible cultural heritage, published April 2022) and written in response to the EU recommendation (EU 2021/1970 on a common European data space for cultural heritage, published November 2021) for Member States to

    European Heritage Awards / Europa Nostra Awards 2024

    This annual publication provides descriptions, jury citations, and contact details for the winners of the European Heritage Awards / Europa Nostra Awards. In 2024, these prestigious awards recognised 26 outstanding heritage achievements from 18 countries across Europe. The 2024 awardees embody the principles of the New European Bauhaus initiative, led by the European Commission. This initiative integrates the European Green Deal into daily life, emphasising the crucial role of cultural heritage in fostering a circular economy and helping the EU achieve climate neutrality by 2050. The winners reflect a commitment

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