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  • Holistic Heritage Podcasts: Redefinig heritage

    ‘Holistic Heritage’ is a brand series of podcasts produced by Europa Nostra Heritage Hub for Central and Eastern Europe in Krakow. ‘Holistic Heritage’ brings conversations, opinions and thoughts on heritage from Central and Eastern Europe. Join Dr Katarzyna Jagodzińska, Head of the Europa Nostra Heritage Hub in Krakow, and John Beauchamp as they interview heritage leaders and discover the most inspiring projects from across the region. How has the concept of heritage changed over the decades? We take a look at best practices and approaches to heritage preservation with Professor

    Ukraine Heritage Spotlight: On the ground with World Monuments Fund

    The World Monuments Fund is an independent organisation based in New York devoted to safeguarding heritage locations to build mutual understanding across cultures and communities. Since 1965, its global team of experts has preserved cultural heritage at more than 700 sites in 112 countries. Today one of the countries in need of special attention is, of course, Ukraine. One of the many specialists helping to protect Ukraine’s cultural heritage is Dr Kateryna Goncharova, Ukraine Heritage Crisis Specialist at the World Monuments Fund. For a number of years she has been

    A Escola vai ao Museu Geológico: ampliar e ressignificar as formas de relação com a memória

    The article discusses an educational-cultural activity conducted at the Geological Museum of Lisbon involving a 4th-grade class from a school in Lisbon. This initiative was a collaborative effort between the school and the University Lusófona de Lisboa, aiming to promote interdisciplinary learning across fields such as Education, Sociomuseology, and Geology. The focus was on providing students with alternative ways of engaging with the world beyond traditional verbal communication, encouraging experiential learning. The article also references UNESCO’s recommendation regarding the significant role museums play in society, emphasising the importance of integrating

    Looking into Kiluanji Kia Henda and Bruno Moraes Cabral ‘Terra (In)Submissa’: poetical narratives as political means

    This article delves into the analysis of the film “Terra (In)Submissa,” which explores the concept of vanishing freedom through the lens of the Portuguese language. It examines the use of mugshots and archival materials to portray resistance against dictatorship and underscores the significance of symbolic justice in addressing human rights violations. Moving on to sociomuseology and art galleries, the text scrutinises the relationship between African and Portuguese art in museums, criticising galleries for shaping the art market and museum narratives. It stresses the importance of comprehending local contexts in museum

    Mute: controvérsias entre música e silenciamentos, recursos para abertura de diálogo no processo expositivo do Musée du Quai Branly

    This article delves into the impact of colonial attitudes on musicology and museology, highlighting the marginalisation of non-Western musical practices and indigenous knowledge. It discusses how the colonial legacy perpetuated inequalities, silencing diverse voices and deeming certain forms of knowledge as inferior. The text emphasises the need to challenge these lingering colonial attitudes and embrace a more inclusive approach in the fields of musicology and museology. Furthermore, it explores the work of John Cage, particularly his use of silence as a provocative element in music, shedding light on the significance

    Biografia e Proximidade: Livros de Artista no Projeto “Entre Vizinhos” do Museu Calouste Gulbenkian

    The article discusses the “Entre Vizinhos” project at the Calouste Gulbenkian Museum, focusing on sociomuseology and its exploration of museums beyond traditional collection stewardship. It highlights the shift towards care and interdependence within communities, emphasising the importance of museums in contributing to social well-being. The project aimed to attract a diverse audience by engaging with local residents who shared the same postal code as the Tate Modern, promoting inclusivity and community involvement. Participants in the project created artist books that reflected personal stories and experiences, showcasing the power of art

    Mining the Museum: o Museu como Palheta

    Fred Wilson’s project “Mining the Museum” in 1992 at the Maryland Historical Society aimed to challenge traditional historical narratives by bringing marginalised voices to the forefront. The exhibition shed light on the historical complicity of Maryland citizens in perpetuating racism against Black and Indigenous communities. Wilson’s work served as a critique of museums as institutions that often exclude or misrepresent marginalised groups, emphasising the importance of incorporating diverse perspectives within museum spaces. In the context of decolonial museology, the article discusses the impact of colonisation on Latin American societies, highlighting

    Cinemuseological imagination: a participatory film format

    The article discusses the role of participation at the Historical Museum Frankfurt (HMF) and its impact on diverse contributors, emphasising the museum’s approach to activism through curated participation. The Stadtlabor Film Project is highlighted as a collaborative initiative where participants engage in creative roles supported by the museum, focusing on themes such as society, economy, and ecology. The project aims to integrate these films into the museum’s permanent exhibition, showcasing contemporary topics and fostering dialogue. The article underscores the importance of museums as platforms for advocacy and empowerment, amplifying diverse

    Beyond Words: Labels and the Power of Shaping of Narratives

    The article delves into the transformative role of labels in art exhibitions, highlighting their evolution from simple classification tools to integral components of artworks. Fred Wilson’s groundbreaking interventions challenged conventional museum practices by emphasising diverse narratives and the importance of transparency in storytelling. The Dresden State Art Collections’ initiative to modify titles to address content issues reflects a commitment to accuracy and cultural sensitivity in the presentation of art. By exploring the power of labels to shape narratives, promote inclusivity, and deepen understanding of cultural artefacts within institutional contexts, the

    Um olhar Sociomuseológico sobre a Dança Contemporânea e a Performance em museus e suas potencialidades na transformação social e institucional

    The article delves into the integration of Contemporary Dance and Performance within Western museum settings. It explores the complexities and challenges associated with curating dance pieces in museums, emphasising the collaborative nature of their production and technical requirements. Artists like Amanda Piña are highlighted for their awareness of the decolonial trend in art museums, while also cautioning against the potential appropriation of this concept by institutions. The importance of adopting a sociomuseological approach is underscored to prevent the perpetuation of colonial power dynamics within museum spaces. Furthermore, the article discusses

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