Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?
The article delves into the Italian influence present in a Portuguese Mannerist painting, specifically focusing on the work of Pedro Nunes, a Portuguese artist who painted “The Descent from the Cross” in 1620. Nunes, trained in Rome, incorporated Italian formal influences into his work, showcasing a clear departure from mainstream Portuguese painting practices of the time. The study meticulously examines the technical aspects of the painting, including the support, preparatory layers, and paint application techniques. Through a detailed analysis of the painting’s materials and techniques, the research sheds light on