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  • The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting

    The article discusses the painting “The Descent from the Cross” by Pedro Nunes, created in 1620, which showcases orange-coloured fabrics with conservation challenges. Through detailed analysis using various techniques like scanning electron microscopy and X-ray spectroscopy, it was revealed that the orange colour is attributed to a complex artificial pigment made of amorphous arsenic sulphide. This discovery is significant as it represents a rare documented case of extensive use of artificial arsenic sulphides in European easel painting, particularly outside Italy. The study highlights the unique composition of the pigment, consisting

    ILUCIDARE Policy recommendations to promote heritage as a source for innovation and international relations

    These policy recommendations make use of ILUCIDARE learnings with a view to consider the way policy should be framed to make the most of heritage to support innovation, international relations and contribute to a greener, more inclusive and sustainable future. More specifically, policy recommendations aim: • To show the need to strengthen and improve heritage policy making to further unleash the potential of cultural heritage to contribute to innovation and international relations; • To help policy makers understand the value of heritage investment; • To guide future policy action with

    Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?

    The article delves into the Italian influence present in a Portuguese Mannerist painting, specifically focusing on the work of Pedro Nunes, a Portuguese artist who painted “The Descent from the Cross” in 1620. Nunes, trained in Rome, incorporated Italian formal influences into his work, showcasing a clear departure from mainstream Portuguese painting practices of the time. The study meticulously examines the technical aspects of the painting, including the support, preparatory layers, and paint application techniques. Through a detailed analysis of the painting’s materials and techniques, the research sheds light on

    Implementation of the European agenda for culture and of the EU strategy for international cultural relations

    This publication serves as a comprehensive assessment of the implementation of the European agenda for culture and the EU strategy for international cultural relations. It meticulously evaluates the achievements and shortcomings of EU cultural policies, providing invaluable insights to inform and guide policymakers. Through case studies and practical insights, readers are offered a deep understanding of the challenges and opportunities in sustaining and safeguarding Europe’s rich tangible and intangible heritage for generations to come. With a forward-looking perspective, the document not only scrutinises the current landscape but also lays out

    Digital transformation and curation in GLAM: valorisation of digital humanities research (DigitGLAM)

    DigitGLAM will provide consultancy and expertise to Galleries, Libraries, Archives, and Museums (GLAM) and their networks, focusing on digital curation, digital transformation, and enhancing user engagement through digital technologies. Our goal is to become the preferred partner for Flemish and European GLAM institutions for funding applications and a leading centre of expertise for implementing digital collection-based workflows. The IOF mandate will build upon our existing achievements in valorisation projects for the GLAM sector, boost our participation in European and Belgian/Flemish funding opportunities, and enhance our contributions to KU Leuven’s HERKUL

    Abordagens Colaborativas ao Património Cultural – Mapeamento Cultural Colaborativo da zona de Carnide-Luz

    This dissertation delves into the pressing debate surrounding the involvement of people and communities in the management, conservation, and preservation of cultural heritage. It emphasises the necessity of recognising the significance of people’s engagement with cultural heritage and advocates for a new, inclusive concept of heritage that places human values at the forefront. The document highlights the outdated nature of many current heritage management approaches and the need for innovative, collaborative strategies to foster meaningful relationships between people and their heritage. Furthermore, it explores the benefits of involving people and

    Strengthening cultural heritage resilience for climate change: where the European Green Deal meets cultural heritage

    The European Green Deal, introduced by the President of the European Commission in December 2019, addresses the grand challenges posed by climate change. It aims to make Europe the first climate-neutral continent by 2050. This ambitious plan seeks to transform the EU into a modern, resource-efficient economy with no net emissions of greenhouse gases, decoupled economic growth from resource use, and inclusive benefits for all regions and communities. However, cultural heritage was not explicitly mentioned in the Green Deal. To address this gap, an Open Method of Coordination (OMC) group

    A Multi-Analytical Characterization of Mortars from Kathmandu (Nepal) Historical Monuments

    This article presents a multi-analytical characterization of mortars from historical monuments in Kathmandu, Nepal. The study aims to contribute to existing datasets by expanding the sample size for future comparative research. By incorporating chromatographic techniques, the importance of identifying organic components in mortars is highlighted. The research focuses on monuments in Hanuman Dhoka and Patan Durbar squares, shedding light on the evolution of material use over time, such as the transition from mud mortar to lime mortar. The analysis reveals insights into construction technology and the composition of mortars with

    Heritage for inclusive growth

    This analysis delves into the intricate relationship between heritage and inclusive growth, focusing on the UK-based case studies to draw reflections and insights applicable internationally. It explores how heritage assets can be leveraged to foster economic, social, and environmental change, promoting equitable development in local communities. The report emphasizes the importance of understanding the multifaceted nature of heritage, encompassing tangible and intangible forms inherited from the past. One key aspect highlighted is the role of heritage in shaping local identities and fostering a sense of belonging, particularly in the face

    Patrimonio cultural e inclusión social – Marco pedagógico y Guía para la autoevaluación de estrategias docentes inclusiva

    Discover a groundbreaking pedagogical framework developed by the DIVERSIA group at Rey Juan Carlos University, aimed at promoting social inclusion through art and creative expression in European heritage. This framework is part of the Erasmus+ project Delyramus et Laboramus, coordinated by the Rey Ardid Foundation, focusing on empowering adults with and without disabilities. The framework utilizes cultural and artistic heritage, particularly Spanish and European heritage of ancient luthiers and early music, as a means to empower individuals, provide training, and create participatory spaces. It challenges traditional perceptions by proposing artistic

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