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  • A Identidade Cultural Local como Agente de Desenvolvimento Turístico

    The article explores the intricate relationship between cultural identity and tourism development, focusing on the city of Tomar as a case study. It emphasises the significance of preserving cultural heritage and leveraging it as a driver for sustainable tourism growth. Through qualitative analysis and in-depth interviews, the study identifies key cultural resources in Tomar that have the potential to attract international visitors. The research underscores the role of local agents in safeguarding cultural identity and promoting tourism activities that align with the city’s unique heritage. Furthermore, the article delves into

    Acessibilidade em espaços culturais da cidade do Porto

    With the title The Imagination of a Visit? Comparative Case study on accessibility conditions in museums in the city of Porto, this work is based on cultural accessibility. This communication is developed within master ́s thesis in Heritage, Arts and Cultural Tourism, at the Higher School of Education of the Polytechnic Institute of Porto. This study seeks not only to reflect on the concept of accessibility and inclusion, but also to analyze the conditions of access to facilities and contents. For this, four museums in the city of Porto were

    Heritage and memories as a differentiating factor of community tourism: Maceira project – Village Ambassadors

    The article “Heritage and memories as a differentiating factor of community tourism: Maceira project – Village Ambassadors” focuses on the Maceira project, which aims to combat depopulation in rural areas by promoting community tourism and preserving heritage. The project involves various activities such as storytelling, community engagement, and training programs for tourist guides. These initiatives aim to promote active aging, intergenerational interaction, and the preservation of cultural identity. The project also focuses on developing strategies to enhance tourism and repopulation in the village. One of the key aspects of the

    Quinta do Mocho: a arte como inédito viável

    This article delves into the Quinta do Mocho community in Lisbon, originally a slum area that became a social neighbourhood inhabited by predominantly African migrant families. The residents, facing deteriorating living conditions, found solace and expression through art, particularly in the form of murals that depicted their dreams, music, cultural diversity, and social critique. These murals served as a means of reclaiming their space and challenging societal discrimination. The document explores the intersection of art, sociomuseology, and educational principles inspired by Paulo Freire. It emphasises the transformative power of art

    Ukraine Heritage Spotlight: On the ground with World Monuments Fund

    The World Monuments Fund is an independent organisation based in New York devoted to safeguarding heritage locations to build mutual understanding across cultures and communities. Since 1965, its global team of experts has preserved cultural heritage at more than 700 sites in 112 countries. Today one of the countries in need of special attention is, of course, Ukraine. One of the many specialists helping to protect Ukraine’s cultural heritage is Dr Kateryna Goncharova, Ukraine Heritage Crisis Specialist at the World Monuments Fund. For a number of years she has been

    A Escola vai ao Museu Geológico: ampliar e ressignificar as formas de relação com a memória

    The article discusses an educational-cultural activity conducted at the Geological Museum of Lisbon involving a 4th-grade class from a school in Lisbon. This initiative was a collaborative effort between the school and the University Lusófona de Lisboa, aiming to promote interdisciplinary learning across fields such as Education, Sociomuseology, and Geology. The focus was on providing students with alternative ways of engaging with the world beyond traditional verbal communication, encouraging experiential learning. The article also references UNESCO’s recommendation regarding the significant role museums play in society, emphasising the importance of integrating

    Looking into Kiluanji Kia Henda and Bruno Moraes Cabral ‘Terra (In)Submissa’: poetical narratives as political means

    This article delves into the analysis of the film “Terra (In)Submissa,” which explores the concept of vanishing freedom through the lens of the Portuguese language. It examines the use of mugshots and archival materials to portray resistance against dictatorship and underscores the significance of symbolic justice in addressing human rights violations. Moving on to sociomuseology and art galleries, the text scrutinises the relationship between African and Portuguese art in museums, criticising galleries for shaping the art market and museum narratives. It stresses the importance of comprehending local contexts in museum

    Mute: controvérsias entre música e silenciamentos, recursos para abertura de diálogo no processo expositivo do Musée du Quai Branly

    This article delves into the impact of colonial attitudes on musicology and museology, highlighting the marginalisation of non-Western musical practices and indigenous knowledge. It discusses how the colonial legacy perpetuated inequalities, silencing diverse voices and deeming certain forms of knowledge as inferior. The text emphasises the need to challenge these lingering colonial attitudes and embrace a more inclusive approach in the fields of musicology and museology. Furthermore, it explores the work of John Cage, particularly his use of silence as a provocative element in music, shedding light on the significance

    Biografia e Proximidade: Livros de Artista no Projeto “Entre Vizinhos” do Museu Calouste Gulbenkian

    The article discusses the “Entre Vizinhos” project at the Calouste Gulbenkian Museum, focusing on sociomuseology and its exploration of museums beyond traditional collection stewardship. It highlights the shift towards care and interdependence within communities, emphasising the importance of museums in contributing to social well-being. The project aimed to attract a diverse audience by engaging with local residents who shared the same postal code as the Tate Modern, promoting inclusivity and community involvement. Participants in the project created artist books that reflected personal stories and experiences, showcasing the power of art

    Mining the Museum: o Museu como Palheta

    Fred Wilson’s project “Mining the Museum” in 1992 at the Maryland Historical Society aimed to challenge traditional historical narratives by bringing marginalised voices to the forefront. The exhibition shed light on the historical complicity of Maryland citizens in perpetuating racism against Black and Indigenous communities. Wilson’s work served as a critique of museums as institutions that often exclude or misrepresent marginalised groups, emphasising the importance of incorporating diverse perspectives within museum spaces. In the context of decolonial museology, the article discusses the impact of colonisation on Latin American societies, highlighting

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