The text explores the significance of colour in mediaeval architectural spaces, focusing on the case study of the Founder’s Chapel in Santa Maria da Vitória, Batalha. The Monumental Polychromy project, funded by the Institute of Art History (FCSH-UNL) and the Calouste Gulbenkian Foundation, aims to uncover mediaeval colours at Batalha, particularly in the Founder’s Chapel. Through historical-artistic research and material studies, the project seeks to reconstruct and formulate hypotheses about the aesthetic, symbolic, and social values associated with colour in this specific context.
The research team integrates interdisciplinary methodologies to reveal intriguing insights into the materiality of the chapel and deepen the understanding of its historical and artistic significance. The project not only focuses on academic research but also emphasises a pedagogical component and develops a 3D model that aims to transform the visitor’s experience and raise awareness about the importance of colour in mediaeval aesthetics. By combining historical analysis with material studies, the Monumental Polychromy project strives to enhance knowledge about the application of polychromy in mediaeval Portuguese architecture, with the Founder’s Chapel serving as a pivotal case study.
In summary, the text highlights the innovative research approach, collaborative efforts, and the project’s goal of shedding light on the mediaeval colours present in the Founder’s Chapel, contributing to a deeper understanding of the aesthetic and cultural values associated with colour in mediaeval architectural spaces.
